Looking for the Good War, Elizabeth D. Samet
Looking for the Good War, Elizabeth D. Samet
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Looking for the Good War
American Amnesia and the Violent Pursuit of Happiness

Author: Elizabeth D. Samet

Narrator: Suzanne Toren

Unabridged: 14 hr 21 min

Format: Digital Audiobook Download

Publisher: Tantor Media

Published: 11/30/2021


Synopsis

In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States' "exceptional" history and destiny.

Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile GI turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II.

About Elizabeth D. Samet

Elizabeth D. Samet is the author of No Man's Land: Preparing for War and Peace in Post-9/11 America; Soldier's Heart: Reading Literature Through Peace and War at West Point, which won the Los Angeles Times Book Prize for Current Interest and was named one of the 100 Notable Books of 2007 by the New York Times; and Willing Obedience: Citizens, Soldiers, and the Progress of Consent in America, 1776-1898. Samet is the editor of Leadership: Essential Writings by Our Greatest Thinkers, The Annotated Memoirs of Ulysses S. Grant, and World War II Memoirs: Pacific Theater. The recipient of a National Endowment for the Humanities Public Scholar Grant and the Hiett Prize in the Humanities, she was also awarded a Guggenheim Fellowship to support the research and writing of Looking for the Good War. She is a professor of English at West Point.


Reviews

Goodreads review by Beauregard on December 25, 2021

Trump is a danger to every value I hold dear. Trump’s mythologizing of America’s past and longing for a returning to the days of George Wallace and making America great again is tied up in Tom Brokaw’s idiotic cartoon characterization of idealizing the American veterans of WW II as the ‘greatest gen......more

Goodreads review by Marianne on March 27, 2022

To those considering reading this book, here’s my advice. Otherwise you’ll find yourself enmired in endless summaries of films, novels, comic books, etc., wondering how you got there. You’ll find yourself in analyses of Frederick Douglass’s use of Shakespearean allusions in his speeches, and you’ll......more

Goodreads review by Joseph on November 29, 2022

An interesting book about which I have mixed feelings. Samet argues that our cultural/political fixation on WWII, especially the "good war" narrative A. radically oversimplifies the incredibly complex history of that conflict, especially its considerable moral ambiguity, even for the winning side B.......more

Goodreads review by Edward on March 19, 2024

One of the most important ideas in this book is the power of myth-making in how Americans view their wars, especially World War II, often referred to as the “good war.” Americans dislike ambiguity and subtleties when it comes to war, and looking back at World War II means proudly seeing it as a nobl......more

Goodreads review by Cliff on February 13, 2022

Highly erudite and timely analysis of myths surrounding American exceptionalism and how they often serve to distort historically accurate views of wars and the use of force. The book was a bit vexing to me as it sandwiches in somewhat dense critical analysis of film and literature between introducto......more