Tragedy, the Greeks, and Us, Simon Critchley
Tragedy, the Greeks, and Us, Simon Critchley
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Tragedy, the Greeks, and Us

Author: Simon Critchley

Narrator: John Lee

Unabridged: 8 hr 41 min

Format: Digital Audiobook Download

Published: 04/16/2019


Synopsis

From the moderator of The New York Times philosophy blog "The Stone," a book that argues that if we want to understand ourselves we have to go back to theater, to the stage of our lives

Tragedy presents a world of conflict and troubling emotion, a world where private and public lives collide and collapse. A world where morality is ambiguous and the powerful humiliate and destroy the powerless. A world where justice always seems to be on both sides of a conflict and sugarcoated words serve as cover for clandestine operations of violence. A world rather like our own.

The ancient Greeks hold a mirror up to us, in which we see all the desolation and delusion of our lives but also the terrifying beauty and intensity of existence. This is not a time for consolation prizes and the fatuous banalities of the self-help industry and pop philosophy.

Tragedy allows us to glimpse, in its harsh and unforgiving glare, the burning core of our aliveness. If we give ourselves the chance to look at tragedy, we might see further and more clearly.

About Simon Critchley

Simon Critchley is Hans Jonas Professor at the New School for Social Research. His books include Very Little . . . Almost Nothing, Infinitely Demanding, The Book of Dead Philosophers, and The Faith of the Faithless. Recent works include a novella, Memory Theatre, a book-length essay, Notes on Suicide and a book on David Bowie. He is series moderator of "The Stone," a philosophy column in the New York Times and coeditor of The Stone Reader.


Reviews

Goodreads review by robin on December 30, 2023

Greek Tragedy With Our Own Blood Simon Critchley's "Tragedy, the Greeks, and Us" (2019) explores ancient Greek tragedy and philosophy and discusses their continued significance. Critchley, Hans Jonas Professor of Philosophy at the New School of Social Research, has written extensively on philosophy a......more

Goodreads review by Jim on July 26, 2020

In ancient times the book that introduced me to the grand subject of Sophocles et al. was George Steiner’s The Death of Tragedy, as sonorous and epic as its subject, and which in turn set loose an avalanche of books eager to support or vigorously dissent from his argument. After that sturm und drang......more

Goodreads review by Nic on May 23, 2019

In this work Simon Critchley explores Greek tragedies, arguing that the Attica tragedies import a philosophy, "tragedy's philosophy," which differs from the dominate philosophy of Rationalism handed down from us from Plato. All of this is fine, but it seems that at times Critchley is making claims t......more

Goodreads review by Paul on July 27, 2020

I really respect Simon Critchley. I appreciate his work in the area of the philosophies of Heidegger and Levinas. I expected a lot and was excited by a glimpse of some central claim here about the possibility of a different approach to philosophy that reflects the moral ambiguity of tragedy. Sadly,......more

Goodreads review by Jonathon on May 15, 2024

Enjoyed the book a huge amount, particularly his discussions of Republic and Poetics. A lot went over my head, but in a great way. I won't think of catharsis in the same way.......more


Quotes

“A valuable corrective . . . in [a] brash, freewheeling style. . . . Lively. . . . Critchley's inquiry offers many surprises, but most unexpected is his interest in the Greek sophists.” —James Romm, The New York Review of Books

“A striking portrayal of Greek tragedy . . .  a well-pitched and paced primer, which is fun to read”—The Times Literary Supplement
 
“A thrill . . . riveting . . . A rather intoxicating dance with words, ideas, texts, the vortex of the life of the mind in the world, and perhaps beyond it. Critchley is an authoritative reader, and, though not a classicist, he proves an erudite, scholarly guide through layers of myth, reason, history and their interpretation, and overall a truly beguiling one . . .  Often reminiscent of Arendt, Adorno or even Levinas, verbally affluent, muscular and provocative . . . He is a particularly gifted wordsmith, an astute orator, a shrewd and learned disputant. Those who encounter tragedy for the first time on the pages of his book will not fail to be bewitched.”Bookanista

“Stirring . . . Refreshing . . . Irreverent . . Critchley writes with laudable directness and erudition”NPR

“Substantial introductory material on tragedy and ancient philosophy; it is energetic, engaging and thought-provoking without too much abstraction and with just enough detail to add flavor . . . t has something of the chatty vigor of a successful seminar discussion. . . infectiously enthusiastic . . . genuinely invigorating . . .”—New Statesman

“Frank, personal readings of hallowed plots, including Euripides’ “Trojan Women” and Aeschylus’ Oresteia.”—The New Yorker

“Critchley finds a perspective on tragedy open to its revelatory and transformative power. Readers feel that power as they probe the dazzling words and tempestuous emotions in the tragedies of Aeschylus, Sophocles, and—above all—Euripides. . . Postmodern philosophy collides with ancient drama, generating the heat of passion, the sparks of illumination.”—Booklist [starred]

"[An] intelligent, rigorous book. Dedicated readers will have the sense of being at a thoughtful scholar’s side as he works through an intractable intellectual problem."—Publishers Weekly

“An erudite reconsideration of Greek tragedy. . . For students of Greek drama, a revelatory contemplation of the theater's enduring power. ”—Kirkus Reviews

“Combining a thorough knowledge of Attic drama, fluency with the scholarly literature, and an engaging wit, Critchley’s treatment is sophisticated yet accessible to thoughtful general readers.”—Library Journal

“Engaging and congenial . . . [Tragedy, The Greeks and Us] makes the cogent, compelling argument that we ignore Greek Tragedy at our own peril.”New York Journal of Books