Quotes
“The Original wittily updates many Victorian novel tropes, weaving in art, fakery, secrets, and queer romance.” Boston Globe
“The novel is a captivatingly strange masterpiece of Victorian pastiche.” Financial Times (London)
“The Original, a story of creativity, legacy and real worth, is full of narrative cunning, narrative goodness.” The Guardian (London)
“Atherton portrays the self-possessed and enigmatic Grace with cool intensity. Charles’s backstory is gradually revealed in chapters narrated by Matthew Spencer. His even-keeled portrayal and the captivating plot keep the listener guessing until the end whether Charles is an imposter.” AudioFile
“Deliciously engaging and wildly intelligent. I adored this novel about art, authenticity, and desire.” Aysegül Savas, author of The Anthropologists
“A sinuous, thrilling meditation on fakes and forgers, with echoes of Daphne du Maurier and Sarah Waters and an audacity that is totally original.” Olivia Laing, author of The Garden Against Time
“Turns a tale of artistic copying into a thrilling study of class, ambition, and the ultimate confidence game: becoming oneself. Smart, sensual, and utterly mesmerizing.” Mark Prins, author of The Latinist
“A delightful, playful puzzle of a novel and a brilliant twist on the nineteenth–century orphan–makes–good story. The Original asks whether, sometimes, faking it is the right thing to do.” Claire Fuller, author of Unsettled Ground