The Cherry Orchard, Anton Chekhov
The Cherry Orchard, Anton Chekhov
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The Cherry Orchard

Author: Anton Chekhov, Frank Dwyer, Nicholas Saunders

Narrator: Marsha Mason, Hector Elizondo, Full Cast

Unabridged: 1 hr 44 min

Format: Digital Audiobook Download

Published: 01/01/2001


Synopsis

Chekhov’s masterful last play, The Cherry Orchard, is a work of timeless, bittersweet beauty about the fading fortunes of an aristocratic Russian family and their struggle to maintain their status in a changing world. Alternately touching and farcical, this subtle, intelligent play stars the incomparable Marsha Mason.

An L.A. Theatre Works full-cast performance starring:
Marsha Mason as Madame Lyubov Andreyevna Ranyevskaya
Hector Elizondo as Leonid Andreyevich Gayev
Michael Cristofer as Yermolay Alekseyevich Lopakhin
Jennifer Tilly as Dunyasha (Avdotya Fyodorovna)
Joey Slotnick as Semyon Panteleyevich Yepikhodov
Christy Keefe as Anya Ranyevskaya
Amy Pietz as Varya Ranyevskaya
Jordan Baker as Charlotta Ivanovna
Jeffrey Jones as Boris Borisovich Semyonov-Pischick
Charles Durning as Feers
John Chardiet as Yasha
Tim DeKay as Pyotr Sergeyevich Trofimov
John Chardiet as Passer-By

Translated and adapted by Frank Dwyer and Nicholas Saunders. Directed by Rosalind Ayres. Recorded before a live audience at the Skirball Cultural Center, Los Angeles.

Author Bio

Anton Chekhov (1860-1904) was a Russian short story writer, playwright, and physician, considered to be one of the greatest short story writers in the history of world literature. His career as a dramatist produced four classics-The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard-and his best short stories are held in high esteem by writers and critics alike. Initially, Chekhov wrote stories solely for financial gain, but as his artistic ambition grew, he made formal innovations that have influenced the evolution of the modern short story. His originality consists in an early use of the stream-of-consciousness technique, later adopted by James Joyce and other modernists, combined with a disavowal of the moral finality of traditional story structure. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. Chekhov published over a hundred short stories, including "The Duel," "In Exile," "On Official Business," "The Bishop," and "The Cobbler and the Devil."

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