Quotes
“In Hard Light, Hand has created another fascinating puzzle—and another instant classic.” Jeff Vandermeer, New York Times bestselling author
“There’s intelligence and style [and] Cass’ voice, as deep as a dungeon and as dark as a grave, is addictive.” New York Times Book Review
“Part of [this novel’s] power derives from the sheer exuberant strangeness of Hand’s storytelling…The spooky finale of Hard Light leads readers deep into a macabre murder scene—courtesy of Edgar Allan Poe—that holds clues to the beginning of the art of photography itself. It’s a bravura ending that both lays some questions to rest and exhumes even more.” Washington Post
“The imagery is dark and intense, pushing readers to the edge of their comfort level, and it’s not for the faint of heart. Despite Cass’ drug and alcohol addictions, she has a brilliant mind, and her immense knowledge of art history catches readers by surprise…Fans will be longing for the next installment of this dangerous and warped story.” RT Book Reviews (4 stars)
“This great adventure story starring a troubled but intriguing protagonist will please Cass fans, those who like their kick-ass heroines north of 22, and readers who fancy a walk on the wild side.” Library Journal (starred review)
“Cass conveys an expert’s knowledge of the 1970s East Village punk scene, Iron Age rituals, Paleolithic icons, and the intricacies of photography and film noir…Gripping.” Publishers Weekly
“[A] gripping urban suspense novel…One of the strengths of Hand’s mystery is her incredible rendering of the dark side of London…The other great strength is Cass herself…[who] still maintains a sense of compassion that elevates the mystery and increases its resonance.” Kirkus Reviews
“Elizabeth Hand writes like an angel, and Carol Monda has a beautiful cello-like voice, used with impressive skill here…Monda’s supple performance finds the emotional truth in every scene and makes you feel it. AudioFile
“Hard Light is noir at it’s very best…This novel will haunt your dreams.” Cara Hoffman, author of So Much Pretty
“An addictive novel that brings the sordid glories of the seventies’ arts scene into the hard light of today.” Keith Donahue, author of The Boy Who Drew Monsters