Trauma Plot, Jamie Hood
Trauma Plot, Jamie Hood
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Trauma Plot
A Life

Author: Jamie Hood

Narrator: Jamie Hood

Unabridged: 9 hr 34 min

Format: Digital Audiobook Download

Published: 03/25/2025


Synopsis

From a rising literary star and the author of how to be a good girl comes a brilliant, biting, and beautifully wrought memoir of trauma and the cost of survival

"Hood descends into the terrifying dark of the unsayable with the dimmest of flashlights and returns bearing verbal gems, treasures, and marvels. Trauma Plot is a glass case of such wonders."—Torrey Peters, bestselling author of Detransition, Baby

In the thick of lockdown, 2020, poet, critic, and memoirist Jamie Hood published her debut, how to be a good girl, an interrogation of modern femininity and the narratives of love, desire, and violence yoked to it. The Rumpus praised Hood’s “bold vulnerability,” and Vogue named it a Best Book of 2020.

In Trauma Plot, Hood draws on disparate literary forms to tell the story that lurked in good girl’s margins—of three decades marred by sexual violence and the wreckage left behind. With her trademark critical remove, Hood interrogates the archetype of the rape survivor, who must perform penitence long after living through the unthinkable, invoking some of art’s most infamous women to have played the role: Ovid’s Philomela, David Lynch’s Laura Palmer, and Artemisia Gentileschi, who captured Judith’s wrath. In so doing, she asks: What do we as a culture demand of survivors? And what do survivors, in turn, owe a world that has abandoned them?

Trauma Plot is a scalding work of personal and literary criticism. It is a send-up of our culture's pious disdain for “trauma porn,” a dirge for the broken promises of #MeToo, and a paean to finding life after death.

Cover image: Philomela by John Gregory. Courtesy of the Pennsylvania Academy of the Fine Arts Archives, Philadelphia

About The Author

Jamie Hood is the author of how to be a good girl, one of Vogue’s Best Books of 2020, and regards, marcel, a monthly newsletter on Proust and other miscellany. Her essays and criticism have appeared in The Baffler, Bookforum, The Nation, Los Angeles Review of Books, The New Inquiry, The Drift, and elsewhere. She lives in Brooklyn.


Reviews

Goodreads review by Charlie on February 24, 2025

I can recall at least twice when reading this magnificent book that I set it down momentarily, lapped a tear threatening to fall, and said out loud to myself "Oh My Fucking God." OMFG! This stunning book by Jamie Hood is a powerful self-excavation in four parts, separated by narrative voice: She, I,......more

Goodreads review by Riley on March 30, 2025

devoured this in one sitting. so grateful for my friend friend who gifted me this book at the exact moment i needed it......more

Goodreads review by Lauren on February 19, 2025

I’ve been a fan of Jamie’s writing for years now. Her pre-op diary substack post brought tears to my eyes, and I have continually reread her piece on Annie Ernaux published by The Baffler. All’s to say, I had high hopes and expectations which have been exceeded! Months after finishing, I find myself......more

Goodreads review by Thad on March 28, 2025

Wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow wow......more

Goodreads review by Isa on April 13, 2025

The experience of reading this book and feeling like I, too, have been hollowed out by the weight of the author's experience is compounded by the sheer relief I feel that I am still capable of reading a book and paying attention.......more


Quotes

"An innovative, rigorous, genre-bending, and ultimately life-affirming account of what it takes to survive."
Vulture

"Piercing . . . . Trauma Plot flips the confessional memoir on its head."
Grace Byron, The Cut

“Hood doesn’t indicate whether she feels like she has healed from her past, or what it would look like if she had. But Trauma Plot unambiguously demonstrates her growth as a writer. Like Philomela, Hood alchemizes her suffering into something new.”
Bekah Walkes, The Atlantic

“Awe-inspiring.”
—Defector


"Jamie Hood is not only an uncommon thinker, but a world-class explorer of unthought. She descends into the terrifying dark of the unsayable with the dimmest of flashlights and returns bearing verbal gems, treasures, and marvels."
—Torrey Peters, bestselling author of Detransition, Baby and Stag Dance


"Rendered with raw-nerve clarity . . . . Hood’s writing is exceptional for its own sake."
—The Telegraph

"This book devastated me. I found my whole being thrumming with the energy of Hood's refusals, her intense thinking and feeling, the formal play with the modernist novel, and her clear-eyed reporting in the wake of trauma."
—Kate Zambreno, author of Heroines

"Hood has been vulnerable and she has been strong, and it’s the strong Hood who emerges victorious from Trauma Plot. You’ll be rooting for her through every page of this searing memoir."
—Vogue

"Hood’s unflinching prose ultimately serves as a bright herald to guide us through the battles that lie ahead."
—Harper's Bazaar

"Kaleidoscopic . . . . Trauma Plot is a refusal of the silence around sexual violence, a tapestry woven by bloody fingers."
Erin Vachon, The Rumpus

"Hood is one of the most interesting literary critics writing today, and her excavation of trauma and survival is a wonder. Moving, thought-provoking, at once intellectual and deeply personal."
—LitHub

"Trauma Plot is an ode to the wrecked woman, the bloody battle of survivorship, and the act of writing itself—not because writing can save us, but because it reminds us we're still alive."
Melissa Lozada-Oliva, author of Dreaming of You and Candelaria

"A candid, at times hard to read recounting of sexual abuse."
—Bustle

Trauma Plot is a sophisticated kind of life writing, and does something far more interesting than claim authenticity through the immediacy of experience."
—McKenzie Wark, e-flux