Quotes
Praise for The Late Americans:
“The Late Americans is Brandon Taylor’s best book so far. . . . For all their disagreements and misunderstandings and incompatibilities, [his characters are] all attempting to make peace with the cosmic bêtise of existence, to figure out how to live without compromising everything they value. It’s beautiful and wrenching to watch them try.” —Charles Arrowsmith, Boston Globe
“Erudite, intimate, hilarious, poignant . . . A gorgeously written novel of youth’s promise, of the quest to find one’s tribe and one’s calling.” —Leigh Haber, Oprah Daily
“This book assures and deepens Taylor’s position as one of the most accomplished, important novelists of his generation. He is undoubtedly on to something expansively new in his sense of what the contemporary novel can do.” —The Guardian
“The most dazzling example of [Taylor's] sharp pen and keen observations of human nature . . . . Taylor develops his characters so precisely, they feel like close friends: recognizable, sometimes infuriating, and always worth following to the book's last page.” —Harper's Bazaar
“Exquisitely sensitive . . . with flashes of beauty.” —The New York Times
“The best writer on work in America today.” —Garth Greenwell
“Amid financial concerns, artistic frustrations, and the judgments, jealousies, and posturing of their classmates, [Taylor’s] characters find solace in moments of shared tenderness. . . . His multifaceted portrayals show each of them to be as innocent and as flawed as any human.” —The New Yorker
“Startlingly original.” —Liesl Schillinger, Wall Street Journal
“One of the best contemporary writers on young queer creatives, Taylor continues the theme with this offering about a group of Iowa City friends. . . . all simultaneously chaotic, messy, and loving.” —Rolling Stone
“Compelling in its determination to capture the tenderness of aspiring artists, their desperate ambition and crushing uncertainty. . . . The Late Americans is remarkable. If you’re going to write about art, the folly of pursuing it and the irrefutable power of it, you should probably do it well. Taylor does it truthfully and beautifully.” —Financial Times
“A beautiful writer. His tautly constructed sentences are as concrete and vivid as the poems that the hapless Seamus adores.”—Associated Press
“One of Taylor’s many gifts is his ability to move from [an] intimate perspective to a wider angle, showing how his characters all long, in one way or another, for meaning in a world that seems leached of it. . . . There remains in Brandon Taylor’s work the ghost of belief: the hope, often thwarted but still existent, that coldness might become warmth, that lives might be meaningful, that indifference might turn into a deeper, more beautiful kind of being seen.” —Commonweal Magazine
“Taylor deftly explores the myth of youth's unbound possibilities as it plays out in the face of constraints of time, space, class and wealth disparities. . . . The characters constantly strive to become better versions of themselves by embracing an ideal of passionate empathy that goes beyond pity or kindness, by striving to plumb the dark, even unspeakable parts of themselves.” —Thúy Đinh, NPR
“[An] intense, finely tuned book. Taylor is an inimitable talent.” —Elle
“Provocative . . . Through Taylor’s signature intimacy, we see casual emotional devastation, prickly social interactions, and wry humor with keen clarity.” —Vulture
“Deftly directed by Taylor, characters swim in and out of the story, exploring a lived-in symphony of questions about what it means to make art, love truthfully, and live morally. . . . [His] novels are so big—they contain the world.” —Esquire
“Brandon Taylor takes a new spin and reimagines the classic friend getaway with queer characters. . . . Contemporary readers will love this provocative but intimate novel about friendships, ambition, and community.” —Cosmopolitan
“Finely rendered.” —Vanity Fair
“Taylor’s most accomplished book, a panorama of youth in the era of late capitalism with a heightened awareness of Black and queer identity politics.” —The Guardian
“Elegant and restrained.” —Vox
“Powerfully disconcerting [and] smart.” —Maureen Corrigan, NPR
“A virtuosic performance of social and psychological realism fraught with the anxieties of our current post-postmodern moment. . . . calls to mind George Eliot’s Middlemarch . . . A work of art that concerns itself with works of art.” —Washington Independent Review of Books
“Anyone who's ever struggled to find themselves while so many around them are doing the same (hello, everyone's early 20s) will find kinship in this novel.” —Good Housekeeping
“The Late Americans weaves throughout perspectives of its cast of characters, creating a story you'll be thinking about long after you put it down.” —Town & Country
“A searing, layered examination of found family, gender, queerness, class, and artistry, The Late Americans is the perfect read for all the messy gay twenty-somethings in your life.” —Them
“[An] insightful and razor-sharp portrait of the interconnected lives of a cohort of writers, dancers, and thinkers living in the contemporary American Midwest. . . . A splendidly wrought and emotionally engrossing novel [that] continues to cement Brandon Taylor as a standout literary voice.” —Shelf Awareness
“Taylor’s characters come to life . . . through scenes cut with razor-sharp observations. . . . With verve and wit, Taylor pulls off something like Sally Rooney for the Midwest.” —Publishers Weekly
“Taylor writes feelings and physical interactions with a kind of sixth sense, creating scenes readers will visualize with ease. At the beginning and ending of things and in confronting gradations of sex, power, and class, ambivalence pervades. Lovers of character studies and fine writing will enjoy getting lost in this.” —Booklist
“I loved The Late Americans and its funny, merciless, brilliant portrayal of the beauty and pointlessness of art, and the absurdity and horror—and occasional transcendence—of being a person. Magnificent.” —Curtis Sittenfeld, author of Romantic Comedy and Prep
“Brandon Taylor writes with such precision and perception that reading his work is an immersive experience: you inhabit his characters, you share their nerve endings. The Late Americans is a brilliant and electrifying symphony of a novel. I loved it.” —Lily King, author of Heart the Lover
“Brandon Taylor has both a classic sensibility, expansive and elegant, and a razor-sharp ability to speak to the contemporary moment. The Late Americans is a full expression of his singular talent.” —Emma Cline, author of The Guest
“The Late Americans is a dizzying plunge into the lives of young people making art in America in the era of survival capitalism, grappling over the big questions like they’re fighting over a gun. Deep within their ambitions, their pettiness and lust, is the meaning and even grandeur they seek—and whether or not his characters ever find it, Brandon Taylor has. A bravura performance on the edge of a knife.” —Alexander Chee, author of How to Write an Autobiographical Novel
“Taylor is a sharp chronicler of the body. In The Late Americans, the body is an instrument and an archive, vulnerable to the complicated violence of pleasure and work.” —Raven Leilani, author of Luster
“Brandon Taylor’s characters in The Late Americans are . . . in a word, human. Taylor realizes each character so fully, with such enviable—and often hilarious—granularity, that it's hard not to feel like I know these people, that I could pick up my phone right now and call any of them. It’s the best kind of magic. . .I’m already rereading it.” —Kaveh Akbar, author of Martyr!
“Tender and unflinching . . . written with bristling clarity, wicked wit and audacious assuredness. . . . A wonderful book.” —Colin Barrett, author of Homesickness
“Masterly [and] absorbing.” —Times Literary Supplement
