Synopsis
PRAISE FOR CHRIS BRIDGES ‘Hugely gripping’ ‘A unique new voice’ ‘Full of surprises’ –––––––––––––– She’s not there to save her friend. She’s there to silence her. When nurse Laura arrives at her old best friend’s death bed, it’s not out of compassion – it’s out of fear. Her enigmatic friend Sadie is dying, and with her last breath, she might destroy everything. Sixteen years ago, tragedy tore their group of nursing students apart. And Laura has spent every moment since then ensuring the truth never sees the light of day. But as Sadie fades, the past refuses to stay buried. And Laura is about to learn: The dying don’t always go quietly. And some confessions are worth killing for. ‘Chilling’ ‘Gripping’ –––––––––––––– AUTHORS LOVE 'Sinister and packed with twists' 'The Death Bed MARIE TIERNEY ‘Vivid, harrowing and utterly compelling' 'As slick as it is sick' ‘Intriguing, atmospheric and unpredictably twisty’ 'Darkly atmospheric and gripping’ ‘Sick, twisted and impossible to put down!’ ‘Intoxicating and riveting’ PRAISE FOR THE McDERMID DEBUT SHORTLISTED ‘Emma is a force to be reckoned with…deliciously dark and twisted, and a lot of fun.’ ‘A hugely gripping and enjoyable debut… Clever and witty.’ ‘A gripping debut from a unique new voice. Bridges writes with a stinging authenticity and tinder-dry humour.’ ‘A slick and exciting debut that had me devouring each page… A twist to rival left me gasping.’ ‘A dazzling debut, skillfully crafted and full of surprises. Beautifully written, utterly original and shockingly dark.’ ‘Thrilling, moving and thought-provoking, with a brilliant central character. A skilful suspense novel.’