Tennessee Williams, John Lahr
Tennessee Williams, John Lahr
2 Rating(s)
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Tennessee Williams
Mad Pilgrimage of the Flesh

Author: John Lahr

Narrator: John Lahr

Unabridged: 26 hr 30 min

Format: Digital Audiobook Download

Published: 09/22/2014


Synopsis

The definitive biography of America's greatest playwright from the celebrated drama critic of The New Yorker.John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.With vivid cameos of the formative influences in Williams's life—his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin—Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams’s plays and the tortured process of bringing them to stage and screen.The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life.Lahr captures not just Williams’s tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: an audiobook about the major American playwright of his time written by the major American drama critic of his time.

About John Lahr

John Lahr, the author of eighteen books, was the senior drama critic of The New Yorker for over two decades. He has twice won the George Jean Nathan Award for Dramatic Criticism and is the first critic ever to win a Tony Award for coauthoring the 2002 Elaine Stritch at Liberty.


Reviews

Goodreads review by Sketchbook on November 12, 2018

Tenn Williams (or 10, as he often signed his name) was a Drama Queen offstage, for sure, but as a playwright he is King of the American Theatre. This disturbing, gossipy bio confirms his stature. I've long agreed with Mary McCarthy, who wrote that Eugene O'Neill's "lack of verbal gift was a personal......more

Goodreads review by ALLEN on December 27, 2019

An absolutely crackerjack literary biography of Tennessee Williams' adult years by celebrated New Yorker drama critic, John Lahr. Lahr already had a fine reputation as a chronicler of theatrical figures, including Notes on a Cowardly Lion about his father, Bert Lahr; and Prick Up Your Ears: The Biog......more

Goodreads review by robin on October 02, 2024

A Biography Of A Divided Self In 1939, a struggling playwright, Tennessee Williams, confided in his diary following a New Year's Eve spree in New Orleans' French Quarter: "Am I all animal, all willful, blind stupid beast? How much better is man with all his advantages than the beast? What does he do......more

Goodreads review by Russ on October 12, 2014

John Lahr's Tennessee Williams: Mad Pilgrimage of the Flesh is an insightful, ripping read. Tennessee Williams' life is as sad and fascinating as any character he created for the stage. This well-researched, intelligent and concise biography probes the twisted up-bringing and self-doubt that spurred......more

Goodreads review by Myles on July 29, 2016

(3.6/5.0) Biographies can get a lot worse than this, and Lahr is one of the best writers in The New Yorker's stable. In his introduction, he prides himself on departing from the standard chronology of Williams' life. And to a degree, Lahr does skitter around the timeline, slipping back to Williams'......more