McGlue, Ottessa Moshfegh
McGlue, Ottessa Moshfegh
1 Rating(s)
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McGlue
A Novella

Author: Ottessa Moshfegh

Narrator: Chris Andrew Ciulla

Unabridged: 3 hr 42 min

Format: Digital Audiobook Download

Publisher: Penguin Audio

Published: 01/08/2019


Synopsis

The debut novella from one of contemporary fiction's most exciting young voices, now in a new edition.

Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of name or situation or orientation--he may have killed a man. That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection.

They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.

About The Author

Ottessa Moshfegh is a fiction writer from New England. Eileen, her first novel, was shortlisted for the National Book Critics Circle Award and the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. My Year of Rest and Relaxation, Death in Her Hands, and Lapvona, her next three novels, were New York Times bestsellers. She is also the author of the short story collection Homesick for Another World and a novella, McGlue. She lives in Southern California.


Reviews

Goodreads review by emma on May 14, 2024

As Jia Tolentino once said, "Ottessa Moshfegh is easily the most interesting contemporary American writer on the subject of being alive when being alive feels terrible." Anyway. This book is so goddamn disgusting. I won't lie to you - historic times in general are gross to me. The idea of living in a......more

Goodreads review by Megan on May 16, 2020

it's a gross gay evil pirate tale what more can you ask......more

Goodreads review by Helen on January 01, 2015

This book has salt on its fists and iron on its dancing feet. What a piece of vicious brilliance.......more

Goodreads review by Meike on March 05, 2024

Moshfegh's first literary publication tells the story of McGlue, a sailor who's a severe alcoholic, living with a permanent head injury and accused of killing his only friend, Johnson. Set in 1851, the novella is propelled forward by the mystery of whether he actually committed the crime: As McGlue......more

Goodreads review by Mitch on June 01, 2020

How utterly joyless. I liked it!......more


Quotes

Winner of the inaugural Fence Modern Prize in Prose
Winner of the Believer Book Award

“A scion of Nathaniel Hawthorne and Raymond Carver at once, Moshfegh transforms a poison into an intoxicant.” —Rivka Galchen

“Reads like the swashbuckled spray of a slit throat—immediate, visceral, frank, unforgiving, violent, and grotesquely beautiful . . . McGlue has the urgency of short fiction married with the grandiosity of an epic at-sea classic.” —Los Angeles Review of Books

“[Moshfegh] is a writer’s writer, and one of the most multitalentednew voices to come along in years. . . . In McGlue, Moshfegh’s facility with voice (here she’s inhabiting that of a nineteenth-century scoundrel) competes with her ability to expose the gritty, mucky corners of the human condition. . . . Her prose is breathtaking, inventive, and electric.” Bustle

"This book is not really a book; it’s a prayer and a miracle. Ottessa Moshfegh is a conjurer of the highest order, and McGlue, a short novel about a person named McGlue who might be a murderer, makes me feel in love with the world, and so grateful to be alive." Patty Yumi Contrell, author of Sorry to Disturb the Peace

“A splashy new edition. . . . Moshfegh's first book introduces the kind of character, in all his psychological wildness and vivid grotesquerie that her others are known for, and readers will be more than intrigued.” —Booklist

“Moshfegh’s fiction often fetishizes the repellent (vomit, blood, our capacity for callously using each other), but in time McGlue’s tale acquires tenderness of a sort. That’s partly thanks to Moshfegh’s lyricism. . . . A potent, peculiar, and hallucinatory anti-romance.”Kirkus Reviews