Lollapalooza, Richard Bienstock
Lollapalooza, Richard Bienstock
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Lollapalooza
The Uncensored Story of Alternative Rock's Wildest Festival

Author: Richard Bienstock, Tom Beaujour

Narrator: Dylan Reilly Fitzpatrick, Joshua Quinn, Kelli Tager, Shahjehan Khan, Yael Rizowy, Zac Aleman

Unabridged: 12 hr 50 min

Format: Digital Audiobook Download

Published: 03/25/2025


Synopsis

The definitive, no-holds-barred oral history of 1990s alt-rock festival Lollapalooza―told by the musicians, roadies, and industry insiders who lived it—includes a foreword by Kim Thayil of Soundgarden! From the New York Times bestselling authors of Nothin’ But A Good Time.

In Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival, New York Times bestselling authors Richard Bienstock and Tom Beaujour tell the no-holds-barred history of the iconic music festival. Through hundreds of new interviews with artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more, Lollapalooza chronicles the tour’s pioneering 1991-1997 run, and, in the process, alternative rock’s rise – as well as the reverberations that led to a massive shift in the music industry and the culture at large.

Lollapalooza features original interviews with some of the biggest names in music, including Perry Farrell and Jane’s Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Tool, Smashing Pumpkins, Ice-T, Rage Against the Machine, Green Day, Patti Smith, Alice in Chains, Metallica and many more.

Conceived by Farrell as a farewell tour for Jane's Addiction, Lollapalooza’s inaugural outing across the U.S. in the summer of 1991 helped to coalesce an ideology and aesthetic that not only washed over popular music but seeped into fashion, film, television, literature, food, politics and more. Throughout the decade, Lollapalooza offered a vast and diverse ensemble of bands, breaking barriers of genre and uniting alternative rock, heavy metal, punk, hip-hop, industrial, goth, avant-garde, spoken word, electronic dance music and other styles under one big tent, and setting the template for the modern American music festival and the scores of other contemporary destination fests that are now an integral part of how audiences experience live music.

Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organizations, political outfits and even the occasional freak show, offering a tantalizing cocktail of culture, art, and activism that, taken together, defined the alternative mindset that dominated the 1990s. Echoes of its impact reverberate strongly today – cemented by annual sell-outs at destination events all over the world, an estimation of 400,000 attendees at the flagship Chicago fest each summer, and a spot among the world's largest and longest-running music festivals.

A nostalgic look back at 1990s music and culture, Lollapalooza traces the festival’s groundbreaking origins, following the tour as it progresses through the decade, and documenting the action onstage, backstage, and behind-the-scenes in detailed and uncensored and sometimes shocking first-person accounts. This is the story of Lollapalooza and the 1990s alternative rock revolution.

A Macmillan Audio production from St. Martin’s Press.

About Richard Bienstock

RICHARD BIENSTOCK is a journalist whose writing has appeared in the New York Times, The Wall Street Journal, Rolling Stone, Billboard, Spin, and other publications. He is a former senior editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored and co-authored several books, among them Kurt Cobain: Montage of Heck. He is also the New York Times bestselling co-author of Nothin' But a Good Time.

About Tom Beaujour

TOM BEAUJOUR is a journalist as well as a co-founder and former editor-in-chief of Revolver, America’s premier hard rock and heavy metal monthly. Beaujour has produced and mixed albums by Nada Surf, Guided by Voices, the Juliana Hatfield Three, and many others. He is also the New York Times bestselling co-author of Nothin' But a Good Time.

About Dylan Reilly Fitzpatrick

A proudly queer artist, Dylan is a passionate narrator with a deep, abiding love for intricate character work. They bring a distinct voice to each piece they work on, always ensuring that not only is the narration tailored to the author’s voice, but that each character voice within, has it’s own unique sound. Having spent much of their career steeped in theatre and traditional voiceover, Dylan has a knack for bringing vibrant energy to all their work, regardless of genre.Additionally, their work won them inclusion in the Deadline Award’s “Trailblazer Cohort”, and their first solo-narrated work, “Go Luck Yourself” by Sara Raasch, was named an Apple Music Must Listen.As a narrator, Dylan is most inspired by the depth of character that is afforded by audiobooks as a medium. A lover of fantasy, science fiction, and all manner of romance, Dylan loves bringing bizarre worlds and heightened situations to life, grounding and infusing them with humanity and vulnerability.

About Joshua Quinn

Joshua Quinn is an Atlanta-based actor, improviser, and voice-over artist. He’s had the pleasure of working on 3 audiobooks, with a 4th one on the way. Joshua is inspired by bringing stories to life, and loves any narrative with an ambitious protagonist who doesn’t quit when the odds are stacked against them. He’s also a fan of psychology and self-improvement books that instill their readers with that same indomitable mindset. His narration style can vary from youthful and dynamic, to a more serious and dramatic delivery. He has a passion for creating unique, grounded characters that help shape the world of the story in compelling ways, and is grateful for the audiobook medium, which allows for more accessibility to readers. He looks forward to bringing more authors’ visions to life!

About Kelli Tager

A Earphones Award–winning narrator and Audie nominee, Kelli specializes inkLiterary and women’s fiction, thrillers, and rom‑coms. She’s drawn to books with complex female characters—from quirky hot messes, to women struggling with mental illness, to complete sociopaths. Oh, and she will always find “The Funny” in a story. Kelli is based in Los Angeles and has narrated around 140 books.

About Shahjehan Khan

Shahjehan Khan is a Pakistani-American narrator, actor, and touring musician. He fell into this work when a producer at Audible heard his punk band interviewed on NPR in 2009, but didn’t start to dive into the medium until relatively recently, thanks in large part to the lovely folks at Macmillan Audio who have believed in him since his first title with them. Although he is now often distracted with roles in movies, TV, and playing in all his bands, he will always love the booth. He’s now approaching 30 official titles with many of the major publishers and recently won his first Earphones award. Shaj’s voice is on the chill, smooth, and calming side, but he’s definitely skilled at pushing it and finding multiple characters within a story with consistency and agility. He’s also an award-winning podcast host and producer: his show “King of The World” was nominated for an Ambie and a Webby; and he’s currently producing a Tribeca-nominated mini series on groovy 60s psychedelic Pakistani music called “Karachi Nights”.His main inspiration is his awesome and super smart scientist partner Lauren.

About Yael Rizowy

Yael Rizowy was born in Chicago, raised in New York City, and shaped by a lifelong love of storytelling. With a background in voiceover, theater, musical theater, and comedy, Yael brings energy, emotion, and character to everything she narrates, draw inginspiration from performers like Jim Dale, Steven Weber, and Amy Poehler—artists who make storytelling feel both effortless and unforgettable.Her style is warm, approachable, and full of discovery—like a friend guiding you through an unforgettable experience.


Reviews

Goodreads review by *TUDOR^QUEEN* on January 30, 2025

My go to reading genre is the rock biography, and I do love the oral history format with the various participants involved just talking. Full disclosure: the grunge era is something that I dabbled in where I loved certain songs from groups like King's X, Pearl Jam, Rage Against the Machine, Drowning......more

Goodreads review by SuperWendy on April 26, 2025

Oral history of the music festival with interviews from various key players. I was the key age demographic for the middle years of the festival so this hit me in all the nostalgic feels yet reminded me of how gross the 1990s were - the glorification of the romantic heroin junkie, the misogyny, and I......more

Goodreads review by Adam on March 20, 2025

A very enjoyable read. I personally liked this slightly more than the authors' previous book on hair metal/hard rock, but it was close. What can you really say about "oral histories," though. I think you either like'em or hate'em. This book flows cohesively, year by year, lineup by lineup. I wish I......more

Goodreads review by Courtlyn on April 29, 2025

3.75 ⭐️ This book was very fun and interesting but I’m glad I listened to the audiobook for most of it because it would have been horribly confusing and hard to read physically. It is not the author’s fault whatsoever but I do have a bad taste in my mouth with some of the information I gathered from......more

Goodreads review by Bernard on April 14, 2025

A very readable and highly enjoyable oral history of Lollapalooza and the golden age of alternative rock. Funny, the only lollapalooza I cared about, 1995, was essentially the least successful. What do you expect with sonic youth, pavement, beck, and the Jesus Lizard as main stage performers?!? I lo......more


Quotes

Praise for Lollapalooza:

"In the tradition of Legs McNeil and Gillian McCain’s Please Kill Me and their own Nothin’ But a Good Time, Bienstock and Beaujour spliced together dozens of interviews with musicians, producers, staff, and others on the scene to craft an epic story of 1990s rock and roll as filtered through the heroin-hazy lens of the granddaddy of American music festivals... Essential addition to any rock history library." ―Kirkus

"The Lollapalooza tour defined "alternative culture" in the nineties with lineups that bridged rock, hip-hop, and performance art. The book, Lollapalooza, collects the musicians' unbelievable-yet-true stories into an indispensable page turner and shows how a tour like Lollapalooza could never happen the same way again.” —Kory Grow, Rolling Stone

"Lollapalooza defined a generation, and who better to hear it from than the people who lived it? A must-read." ―Daniel Kohn, SPIN

"Drawing from an impressive array of interviews with band members, music journalists, and festival organizers, the authors vividly capture the chaos of the festival’s early days...The result is a colorful, captivating slice of music history." ―Publishers Weekly

"Lovers of 1990s alternative rock music... will enjoy this unflinching look at music festival culture and the rise and fall of alternative rock." ―Booklist

Praise for Nothin' But A Good Time:

"A backstage pass to the wildest and loudest party in rock history―you'll feel like you were right there with us!" ―Bret Michaels of Poison

"Beginning with the early days of Quiet Riot and Van Halen, the book takes the reader through glam’s ascent from L.A. clubs to arenas everywhere, spending equal time on Crüe-style debauchery and the behind-the-scenes business that made these bands superstars, through the arrival of Nirvana, which turned the hair metal craze into poison overnight." ―Booklist

"Lively, comprehensive... An engrossing deep dive into a lurid, free-wheeling monument in pop music." ―Kirkus

"Revolver cofounder Beaujour and former Guitar World editor Bienstock give heavy metal a flamboyant retrospective in this raucous oral history...Metalheads and those with a fondness for the over-the-top antics that marked the genre and era are in for a treat." ―Publishers Weekly

"Tom and Rich ― the two music journalists most likely to be called as expert witnesses in a court case about hair metal ― have compiled a fun, funny, and frightening chronicle of the so-called 'Decade of Decadence' with interviews from every major player in the scene." ―Kory Grow, Rolling Stone

“Sure, there’s plenty of sex, drugs and rock & roll but, like the best rock books, Nöthin' But a Good Time is really about people and their stories. Those stories attest to the power of hard work, ambition, friendship and community. And that's what makes this hilarious, sordid and deeply researched book so inspiring.” ―Michael Azerrad, author of Our Band Could Be Your Life: Scenes from the American Indie Underground 1981-1991 and Come As You Are: The Story of Nirvana

"No stone is left unturned in this deep dive into the bands you love, and the bands you love to hate. This book goes to 11." ―Katherine Turman, co-author, Louder Than Hell: The Definitive Oral History of Metal