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Candy Darling
Dreamer, Icon, Superstar
Author: Cynthia Carr
Narrator: Justin Vivian Bond
Unabridged: 14 hr 2 min
Format: Digital Audiobook Download
Publisher: Macmillan Audio
Published: 03/19/2024
Categories: Nonfiction, Biography & Autobiography, Arts & Entertainment, Lgbtq+ Nonfiction, Women
Includes:
Bonus Material
Synopsis
A 2025 Audie Award winner for Best Nonfiction Narrator! This program is read by cabaret legend Justin Vivian Bond.
A Must-Read: The New York Times Book Review, Nylon, Star Tribune, Ms., Kirkus Reviews, The Bay Area Reporter, Town & Country, InsideHook
“[A] monumental biography.” —Hilton Als, The New Yorker
“A rich portrait of a glittering, communal, and bygone NYC . . . [and] of the glamorous queer icon.” —Arimeta Diop, Vanity Fair
From the acclaimed biographer Cynthia Carr, the first full portrait of the queer icon and Warhol superstar Candy Darling.
Warhol superstar and transgender icon Candy Darling was glamour personified, but she was without a real place in the world.
Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.
Yet Candy lived on the edge, relying on the kindness of strangers, friends, and her quietly devoted mother, sleeping on couches and in cheap hotel rooms, keeping a part of herself hidden. She wanted to be a star, but mostly she wanted to be loved. Her last diary entry was: “I shall try to be grateful for life . . . Cannot imagine who would want me." Candy died at twenty-nine in 1974, as conversations about gender and identity were really just starting. She never knew it, but she changed the world.
Packed with tales of luminaries and gossip and meticulous research, immersive and laced with Candy’s words and her friends' recollections, Cynthia Carr's Candy Darling is Candy's long-overdue return to the spotlight.
A Macmillan Audio production from Farrar, Straus and Giroux.
A Must-Read: The New York Times Book Review, Nylon, Star Tribune, Ms., Kirkus Reviews, The Bay Area Reporter, Town & Country, InsideHook
“[A] monumental biography.” —Hilton Als, The New Yorker
“A rich portrait of a glittering, communal, and bygone NYC . . . [and] of the glamorous queer icon.” —Arimeta Diop, Vanity Fair
From the acclaimed biographer Cynthia Carr, the first full portrait of the queer icon and Warhol superstar Candy Darling.
Warhol superstar and transgender icon Candy Darling was glamour personified, but she was without a real place in the world.
Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.
Yet Candy lived on the edge, relying on the kindness of strangers, friends, and her quietly devoted mother, sleeping on couches and in cheap hotel rooms, keeping a part of herself hidden. She wanted to be a star, but mostly she wanted to be loved. Her last diary entry was: “I shall try to be grateful for life . . . Cannot imagine who would want me." Candy died at twenty-nine in 1974, as conversations about gender and identity were really just starting. She never knew it, but she changed the world.
Packed with tales of luminaries and gossip and meticulous research, immersive and laced with Candy’s words and her friends' recollections, Cynthia Carr's Candy Darling is Candy's long-overdue return to the spotlight.
A Macmillan Audio production from Farrar, Straus and Giroux.
